Though recorded on Nov. 9, 2015, for the documentary “Tales of the American,” the Bateman interview video was only uploaded to YouTube a couple of months ago.
The full documentary tells the story of The American, L.A.’s first black hotel that, during the 20th century, became a gathering ground for the city’s artists, musicians, poets, writers and other characters. (Bateman ticks a couple of those boxes.)
Though The Red Devils are not mentioned, there is plenty to love in this interview vid. A quick rundown:
Gigging with Edwin Starr
“The Phil and Bill Show”
Hessians MC in the crowd
“Everybody watched the freaks, the Alvin brothers.”
Circle Jerks, Black Flag and Fear
Checking out the legendary Frank Frost
Mario Melendez and the King King
Grand World Class Drum-A-Thon: DJ Bonebrake + Bill Bateman + John Densmore
The Blasters: “It’s a family.”
You don’t need me to sell you on this video. Watch the Bateman video below or on YouTube.
Check out “Tales of the American” on Amazon Prime, Google Play, YouTube, iTunes, Xbox and Vudu.
Nofightin.com is following The Red Devils on tour through Europe, whether they like it or not. Come here for our dispatches from every show as we go. Words and others by J.J. Perry; tour photography by Tina Hanagan
Hundreds and hundreds of fans (an organizer told us capacity is 5,000) crammed into the old marketplace square, an intersection of several streets where the stage was set. Stimmen is a several-week festival, with an eclectic lineup (the day after ZZ was a performance by Grace Jones).
After the Devils’ set, we muscled through an elbow-to-ass crowd to a hotel bar for beers. We met Paul Size when he came down for a refill and he invited us up to his room where, from two large open windows, we could watch ZZ Top’s set.
[words: J.J. Perry; all photographs by Tina Hanagan]
An evening rain Friday cooled and soaked the thousands waiting in line for the Stimmen Festival in Lorrach, Germany. The crowd was patient under ponchos and umbrellas and canopies on Lorrach’s historic streets, waiting in line to get into the marketplace stage area.
But we couldn’t help but wonder, as heavy raindrops rolled down our heads and into our eyes: Did we fly to Germany only to have our first Red Devils concert in 25 years be rained out?
Pushing forward through the crowd in the Lorrach square, we took our spots. As if on cue, the rain trickled to a stop moments before The Red Devils took the stage at 8 p.m. Big Pete stomped his feet and the band launched into a pounding “Mr. Highway Man.” I jumped in my spot yelling, taken back to 1992, when I saw this band for the first time.
Here are the things that stuck out to us after watching the first three Red Devils shows:
1. There is only one …
From the very first notes of the very first song of the very first gig, it’s clear: These are The Red Devils, and nobody else.
For a generation of fans who only have 24-year-old YouTube videos to go off of, the ’17 Devils are a revelation. The stacks and stacks of bands inspired by the Devils clearly can’t touch them — many of them have been rendered obsolete in just three shows.
You cannot go wrong with Bill Bateman in the driver’s seat, and he makes obvious the fatal flaw for other bands: he just has that beat, locking in with the grooving Jonny Ray Bartel. Paul Size reminds everyone that his guitar playing is singular — his touch and instincts are all still there. He’s been missed.
If you can’t have Dave Lee Bartel onstage, then bring back Mike Flanigin, holding down rhythm guitar. Kudos to the Devils for bringing back a different “brother” when they could have gotten a ringer.
In 2017, on the silver anniversary of “King King,” The Red Devils return to Europe, to the crowds that have kept their memory, spirit and music alive.
Bill Bateman, Paul Size and Jonny Ray Bartel return with one-time Red Devils guitarist Mike Flanigin (Jimmie Vaughan, Billy Gibbons and the BFGs).
And picking up the bullet mic and fronting the band is Dutch bluesman Big Pete, Pieter van der Pluijm, filling in for the late Lester Butler. As a solo artist, Big Pete has carried on the Devils’ tradition, bringing Billy Boy Arnold, Little Walter and Chicago blues harp into the 21st century.
One of the treats hanging out with Mike Flanigin last year was watching vintage Red Devils video live from the King King more than two decades earlier.
We watched half of the Nov. 30, 1992, video in his Austin living room. Essentially, we got the DVD commentary from one of the members of The Red Devils himself.
Flanigin held the guitar he played in the Devils as he watched a younger version of himself, sparking many more memories and stories.
Two things stuck out: That Flanigin wasn’t entirely impressed with the King King mystique, which even in 1992 was thick around the band. Watching the video, the band in living color under stage lights, is surreal. How many of us have listened to the “King King” record and imagined the whole night in grainy black and white, dimly lit and gritty?
Photo by Tina Hanagan
This is video of the Devils in their prime, road-tested and ready. Sure there are festival videos out there, scattered TV appearances. But this is three sets of classic Red Devils with their prototype setlist of the time (“Who Do You Love,” “She’s Dangerous,” “Blues in the Morning,” “Blackwater Roll,” “Checkin’ Up On My Baby,” plus Hook Herrera sits in, too).
The other thing was his sense of belonging in the band. As he mentioned, his kids never knew him as a guitar player, and certainly not as a member of one of the hottest blues acts of the second half on ’92. Many Red Devils fans don’t even know his role in the band; this video proves it.
Mike: But I do have this videotape from the King King. You probably never saw it?
Interviewer: No.
Mike: Well, this was the King King and I don’t know if anyone has any video of us playing like that whole American tour. In the video the quality is not that great. But this is when we got back and they were like, “Man, we’re going to play the King King!” Well this was the night. Like this was our first night back from being on the road and Billy Gibbons was there and Rick Rubin was there and that’s the night. And so the guy had taped it , they had the camera, so they run that tape. And then when we got down with the gig, he had the VHS tape and Lester was just like, “Hey Mikey, you take this,” and gave it to me and I hung on to it … I would feel like everybody else had just went by the wayside at some point …
I held on to like little scrapbook or little things that it might got lost. And so this videotape is — I had to dig it out man. I knew I had it. …
And that’s a whole night, like it’s not just 30 minutes. I mean it’s like all night, all the whole thing. …
And so, it gives you an idea of like where we were and what the band sounded like that you remembered from like when you saw us. Because it’s the only thing that really exists. There’s no live recordings and all that or like anything professionally done or see the band. I never have seen anything with me in it. Even though I was in the group a long time really. I mean of the working life with that band.
Tina: It’s got to be out there though, right?
Mike: Well, what’s funny is that he took this tape out of the machine and gave it to Lester and Lester gave it to me. I think it’s the only existing copy.
And I’ve never given it to anybody, like I never show it really and I hadn’t seen it years. I just pulled this out because I knew you were coming.
Interviewer: Yes, yes. That’s very kind of you.
Mike: We’ll see what’s up with it. I mean it might be a complete mess.
