Archive for 1992

Incident in Room 410: How The Red Devils were banned from Days Inn, 1992

Posted in red devils with tags , , , , , , on July 5, 2021 by J.J.

“The Red Devils lived up to their name.”

That was the opening line of a review, of sorts, of The Red Devils’ stop in Chicago in 1992.

Certainly, the crowd at Buddy Guy’s Legends club on Sept. 27, 1992, appreciated the band more than Tom Nelligan did at the Days Inn Near North hotel.

The band’s stay at the Days Inn ended in destruction Sept. 28, according to a fax Nelligan sent to the band’s travel agency.

The problems started with a late check-out request, which caused late housekeeping service, which meant the damage was not discovered until the next day, when the band was safely back out on the road.

“In room 410 they broke an armchair that was part of a set of two armchairs and a round oak table, they broke a wall mirror in a oak frame, which they hid behind the dresser and they tore the drapes on the windows,” Nelligan wrote. “The housekeeper said that she can repair the drapes so we won’t charge them for the drapes.”

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Reviews: Opening for the Allmans in 1992

Posted in red devils with tags , , , , , , , , , , on December 20, 2010 by J.J.

Two new soundboard-quality recordings have surfaced recently to shine light The Red Devils’ 1992 opening slots for the Allman Brothers. The Sept. 1 Richmond, Va., and Sept. 4 Charlotte, N.C., recordings represent the band’s sixth and eighth opening spots (by our count) for the Brothers.

These recordings document the band working through their setlists, and winning over crowds with their hardworking blues. From the very top, the audio quality is quite high, making these discs an audio treat. That there is no crowd noise coming into the mix is unnerving, as it sounds as though the band finishes songs to complete silence.

Both shows begin with a sturdy shuffle, here called “Hey Baby,” but in reality a mad-libs version of the warhorse “Riding in the Moonlight.” The Richmond gig finds the band sounding quite tentative — solid blues to be sure, but no real fireworks. Just three days later, however, the same tune is crunchier and bouncier, with a pounding two-handed shuffle by Bill Bateman, hot turnarounds and leadwork by Paul Size and a much more confident vocal performance by Lester Butler.

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