Archive for March, 2021

REVIEW: Paul Size tells it like it is on debut solo CD, ‘Can’t Lose Playing The Blues’

Posted in paul size with tags , , , , , , , on March 21, 2021 by J.J.

“Let the music do the talking” goes the old warhorse. On his debut solo album, “Can’t Lose Playing The Blues,” guitarist Paul Size lets his fingers tell the tale of his life in blues.

Size, most known as the white-hot soloist from The Red Devils, offers the record as a reintroduction to listeners. Free from the restrictions of someone else’s vision, Size dishes out nearly an hour’s worth of diverse, rollicking music that stands as his word on the blues.

With a sympathetic band and some tried-and-true musical inspirations, “Can’t Lose” is the sound of a live band communicating in real time, in an intimate environment shepherded by producer/engineer (and bassist/vocalist) Jeffrey Berg.

The album is bookended by off-the-cuff acoustic guitar numbers, “Welcome” and “It’s Been A While,” which act as the preface and afterword of Size’s musical biography. In between, like a good barroom meeting between old friends, everyone gets a turn to jump in.

And jump it does on “Do The Boogie,” Size’s take on B.B. King’s “Boogie Woogie Woman.” The band’s agenda is clear, with stellar playing for the good of the song. Jeremy Berlin (Johnny Hoy and the Bluefish) takes the lead on piano — in fact, taking the first solo on the record, supported by Size’s essential rhythm work. (For the record, the album’s first electric guitar solo starts at 1:53 of track 2.)

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Block 1993 interview with Lester Butler after Pinkpop festival (annotated)

Posted in red devils with tags , , , , , , , on March 7, 2021 by J.J.

This week, we bring you an interview with Lester Butler from the July/August/September 1993 issue of Block magazine (#87).

There is a lot to take in from this interview, conducted May 31, 1993, after the band had already played its seminal morning set opening the 1993 Pinkpop Festival, and a gig that night in Doornroosje, Nijmegen, Holland. Basically, this interview was their last official activity at the end of an important month for the band, which kicked off May 1 with the legendary performance at the Moulin Blues Festival in Ospel.

The story, originally in Dutch, has been translated by nofightin.com (well, Google Translate, with some contextual edits by us), and appears in its entirety below.

In addition, we offer annotations throughout the story: What’s right, what’s wrong, more context and history. Look for the notes just under some paragraphs.

A band foaming at the mouth: The Red Devils

By Marion Wisse

The Red Devils started in 1988 as a jam session band at the King King club, a former Chinese restaurant in Los Angeles. The first time only nine skateboarders came to watch, but due to word of mouth, the number of visitors grew quickly. Among them: Peter Wolf, Lenny Kravitz and The Red Hot Chili Peppers.

Also always present was Rick Rubin, producer for the Def American label. But it wasn’t until they had seen his face about 60 times that Lester Butler (vocals/harmonica) and his mates knew what that man does in the business.

Much of this is detailed in the band’s official press kit biography.

The debut CD “King King” has been out for less than a year and resulted in a studio session with Mick Jagger. In addition, The Red Devils were allowed to close Moulin Blues and open Pinkpop. In the evening, after Pinkpop, they performed in Doornroosje in Nijmegen. There we spoke to the band.

When the band arrives at Doornroosje a little later than planned due to a minor collision, their Pinkpop performance of that morning has just been broadcast. Great is the hilarity among the band members when Bram van Splunteren does not seem to know who Little Walter was. And when the cameraman of the NOS then switches bass guitarist Jonny Ray Bartel and guitarist Paul Size during the announcement, the boys are really laughing. Immediately afterward we talk with Lester Butler, Paul Size (or was that Lester Butler?), and drummer Bill Bateman.

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