Archive for lester butler

Red Devils Moulin ’93 review from Block

Posted in red devils with tags , , , , , on December 3, 2011 by J.J.

Dutch blues magazine Block was an early supporter of The Red Devils, continuing through the 13 years as well.

This review of the the 1993 Moulin Blues Festival comes courtesy of Feelgood. We’ve done our best to do a translation of The Red Devils’ mention — if you have a better translation, put it in the comments.

Also included: A Block ad for the festival.

Finally — I think — the only other act with a magnetic force field of over 100 km: the Red Devils (because: Mick Jagger!) with their busy and fat-accentuated party hardy clichéd blues. No trace of white and yet not heavy. The band consisted of five top strengths, though star parts were played by drummer Bill Bateman (Blasters) and never-stagnant singer/harper Lester Butler, one of the few to handle Muddy’s “Louisiana Blues.” Butler spontaneously fulfilled a request for one of the slow songs to a fan who was killed earlier that week, though hopefully no one outside of those involved had been in the painful mistake still in his ready-made text. No, of course there is a festival for people like us to get back to. And we were.

One-of-a-kind notebook gives peek into Red Devils, Butler’s creative process

Posted in red devils with tags , , , , on November 15, 2011 by J.J.

A notebook belonging to Lester Butler gives a rare little glimpse into The Red Devils’ lyrics, setlists and creative process.

Among the doodles, dates, phone numbers, notes and cigarette burns are lyrics for “Shake ‘Em on Down” and a nascent “Your Turn to Cry.”

The writings are in the hands of Paul Brown of the UK. Brown says he was in the crowd at the Devils’ May 4, 1993, gig at London’s Borderline. Afterward, he picked up the setlist left behind on the stage. The setlist turned out to be more than that.

“When I picked up the ‘setlist’ … it wasn’t until I returned home that I realised there were entries in over 20 pages, very much in the style of the notebook in the CD insert,” Brown wrote to us. “There are setlists, lyrics and doodles.”

Jonny Ray Bartel essentially confirmed the authenticity of the one-of-a-kind notebook in a Facebook post: “Nice collection Paul. Looks like you have an entire notebook of Lester’s. Awesome …”.

Let’s look into the pages Paul emailed to us:
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Lester Butler memorials 1998

Posted in lester butler with tags , , , , on October 8, 2011 by J.J.

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Not long after Lester Butler died in May 1998, I received a package from Enrico Crivellaro, who was Butler’s touring guitarist in 13 in 1997. We had kept in touch after meeting in Kentucky and Indiana, and now he had sent along a memorial flier for Butler, along with a prayer card and short biography (the text of which became the introduction text of Jasper Heikens’ Lester Butler tribute site).

Last year, in a trove of archives sent by 13 drummer Eddie Clark, we received the backside of the memorial flier, with directions to the May 24, 1998, event, as well as a mailing for a “Bad Ass Birthday Blues Bash” for Butler on Nov. 12 and 13, 1998.

Blue Shadows gigs 1989-90

Posted in red devils with tags , , , , on October 2, 2011 by J.J.

We are catching up with several Blue Shadows dates for the timeline section. We start with several great clippings from the Eddie Clark collection, snapshots of the late-’80s/early-’90s California blues scene. Included are an ad for the first blues hall of fame festival and a postcard for blues night at Spice, both organized by Randy Chortkoff; along with two ads from Southland Blues Magazine.

It’s quite interesting to see, during 1989 and 1990, when the Blue Shadows were promoted as featuring Dave Alvin versus as featuring Lester Butler.

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Outtakes from famous Lester Butler photo session

Posted in lester butler with tags , , , , , , on September 18, 2011 by J.J.

Photographer Rens Horn sheds light on how he captured an iconic image of Lester Butler.

Based in The Netherlands, Horn shot Butler during his 1997 tour through Europe. The photographer has posted some outtakes, and explained to us how the elements came together, from concept to session:

The pictures were taken in Rotterdam on Sept. 10, 1997, just across the artist entrance of Nighttown where 13 would perform that night.

The first time I saw Lester play I had this picture in my mind: While playing you couldn’t see his face, and while singing you couldn’t see his tattooed arms the way you would when playing, and I wanted to see both at the same time. … (D)ays before this portrait was made I took some pictures at a concert in Tegelen, on stage with Lori’s backstage pass. After the concert I asked Lester if I could take his portrait when he was playing in Rotterdam and he agreed.

I brought my own harp (the one in the picture is mine) and prints of the pictures I took before, just average concert pictures but “messed up” in the darkroom (I call it “rensomatic”). He loved the way they looked as did Alex Schultz who happens to love photography as well and was actually related with some of my photographer heroes through his dad. So he was willing to pose and we shared a couple of minutes in front of the garage door.

After a few frames it occurred to me that the holes in the door resembled that of the holes in the harp so we shot two or three more and that was it. He liked the picture a lot and on one occasion, years later, he gave me his T-shirt and said “thanks for the pictures and your friendship.”

“Better Cut That Out” lyrics

Posted in red devils with tags , , , , on September 5, 2011 by J.J.

While the closer “Better Cut That Out” is a favorite on the “King King” record, one question remains: Just what is Lester Butler singing?

This song is a little rough — Butler sings the second verse twice — and even the album credits are confusing. On the first Def American pressings, the song is called “Cut That Out” and attributed to Junior Wells, whose version obviously inspired the Devils. Subsequent American Recordings versions call it “Better Cut That Out,” with credit going to Sonny Boy Williamson (likely No. 1, John Lee Williamson), which is a much more accurate designation.

The lyric that causes the most trouble is the second line in the first verse. Butler sings the cuplet,

Yeah when you get drunk you wanna fuss and cut
Sure to get drunk you know a rock and roll hearse

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Johnny Morgan on 13: “It was a hybrid”

Posted in 13 with tags , , , , , on August 13, 2011 by J.J.

The versions of “Sweet Tooth” and “Black Hearted Woman” that ended up on “13 featuring Lester Butler” were actually the demo tracks, featuring the propulsive drumming of Johnny Morgan.

I spoke with Morgan back on May 29, 2011, at the Simi Valley Cajun and Blues Festival, minutes after he got off stage playing behind Big Pete, Alex Schultz and Willie J. Campbell as part of a tribute to Lester Butler.

In the interview, Morgan talks about recording those demos and how the band was spurred on to get more aggressive, what Butler was listening to, and what he thought of his singing voice, among other observations.

MP3: John Morgan interview May 29, 2011 (8:30)

We’re working on editing a longform interview with Alex Schultz as well; watch nofightin.com for more …

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All photos by Tina Hanagan

1992: Sympathy for the Devils/Mike Flanigin debuts

Posted in red devils with tags , , , , on August 7, 2011 by J.J.

Here are two important stories in Red Devils lore, both by Michael Corcoran from the Dallas Morning News. The first is the cleverly titled “Sympathy for the Devils” (Sept. 17 1992), with a strong Lester Butler interview. It gets deeper into the band’s history — and Butler’s drug use — than most by-the-numbers articles of the time.

It’s followed by “Red Devils have guitarist by the sleeve” (Sept. 19, 1992), and recaps how Texan Mike Flanigin ended up as the rhythm guitarist in the band for a short spell, replacing Dave Lee Bartel beginning with a show at Trees in Dallas. (Edited Aug. 13 to correct spelling of “Flanigin,” wrong in the original article.)

Sympathy for the Devils: The unlikely-looking Red Devils play some really wicked blues
By Michael Corcoran, Dallas Morning News
Sept. 17, 1992

The blues live on Monday, that bluest of blue-collar days. On Monday, you’re not talking with much enthusiasm and others aren’t really into listening, so you always have to repeat your first sentence twice. “I said, ‘They call it stormy Monday, but Tuesday’s just as bad.’”

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Red Devils make Indiana debut

Posted in red devils with tags , , , , on July 7, 2011 by J.J.

We’ve covered The Red Devils’ October 1992 gig in Bloomington, Ind., extensively on No Fightin’. But here is yet another advance, a really good interview with Lester Butler by the Indianapolis Star.

Red Devils make Indiana debut
By Marc D. Allan, Indianapolis Star
Oct. 12, 1992

“You really don’t write blues tunes,” says Lester Butler, singer and harmonica player for The Red Devils. “There’s grooves and there’s shuffles. The lyric is what you make up on your own. And I’m having no problem doing that at all.”

jakes_flier1You could say that.

The Los Angeles-based blues band, which makes its Indiana debut Tuesday night in Bloomington, has developed a loyal following at home by playing fiery original and cover tunes every Monday night in a tiny, always-packed club called the King King. (They recorded their first album, “King King,” live at the club.)

Playing with Jagger

The Red Devils have been invited to open for the Allman Brothers, Little Feat, Dixie Dregs and Los Lobos. They’re so hot (and so good) that Mick Jagger invited them to play on his forthcoming solo album.

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“If they’re buying drinks, then you’re making money”

Posted in red devils with tags , , , on May 22, 2011 by J.J.

Thanks to Paul Brown of the UK for this clip from the May 1993 edition of Rock Compact Disc Magazine. Interesting for Lester Butler’s pulling back on the Mick Jagger stories by this point and laughing off the image of Jagger being “whisked away” from the Devils after the session.

Note also the alternate publicity shot: In color, with Bill Bateman obscured by Jonny Ray Bartel. (Click on the image to read the article.)

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