By the 1993 Moulin Blues Festival, the Red Devils had been touring for several months on end, and the wear and tear can be seen — but not heard — in the three bonus tracks on the DVD.
While the band looks beat up, they are as tight a musical unit as one could hope for. The devastating, muscular tunes show why the band became legendary in just a few short years, and why they imploded just as quickly.
Paul Size at Moulin 1993
Immediately, you see a different Lester Butler from the 13 era. He looks dirty and heavy, with a bandana failing to keep his long hair from his face. A baggy shirt drapes his frame, and he sways precariously from side to side. His eyelids are heavy, and he has a not-all-there smile on his face. It’s a wonder that he can stand up, let alone perform.
The mini-set starts off with “She’s Dangerous” in the now-familiar live style, with the stop-time riff gone in favor of a piledriving rock beat. Bill Bateman swings hard on the drums, flipping his wrist to emphasize the snare beat. Paul Size, shirt open, cigarette dangling from his lip, eyes half-open, plays aggressively. The Bartel brothers hold down the cool: Jonny Ray swinging his bass at his hip, while Dave Lee strums frantically at his Les Paul Goldtop.
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Finally — I think — the only other act with a magnetic force field of over 100 km: the Red Devils (because: Mick Jagger!) with their busy and fat-accentuated party hardy clichéd blues. No trace of white and yet not heavy. The band consisted of five top strengths, though star parts were played by drummer Bill Bateman
(Blasters) and never-stagnant singer/harper Lester Butler, one of the few to handle Muddy’s “Louisiana Blues.” Butler spontaneously fulfilled a request for one of the slow songs to a fan who was killed earlier that week, though hopefully no one outside of those involved had been in the painful mistake still in his ready-made text. No, of course there is a festival for people like us to get back to. And we were.
