Archive for the red devils Category

Red Devils at Mall of America 1993

Posted in red devils with tags , , , on April 22, 2012 by J.J.

The Red Devils’ travels as the house band for Planet Hollywood openings in the ’90s took them all over the world — including a giant mall in Bloomington, Minn.

From the Dec. 11, 1993, Fort Worth Star-Telegram:

It will be megastar time again when the seventh Planet Hollywood opens tomorrow night — in a megamall in Bloomington, Minn. The restaurant chain with a movie and TV memorabilia motif will open its latest at the Mall of America, the nation’s largest mall and entertainment complex. Some of Planet Hollywood’s owners are scheduled to be there, including Arnold Schwarzenegger, Sylvester Stallone, Bruce Willis and Demi Moore. Willis and his band, The Red Devils, will perform. On the guest list are Wesley Snipes, Evander Holyfield, Patrick Swayze, Whoopi Goldberg, Don Johnson, Jean-Claude Van Damme, Danny Glover, Luke Perry and Hammer.

From the Dec. 13, 1993, St. Paul, Minn., Pioneer Press:

From the sports world, there were Vikings Jim McMahon (who showed unsportsmanlike contact off the playing field by walking into Planet Hollywood without acknowledging the crowd) and Chris Doleman; Minnesota Twins Kent Hrbek; and Thurl Bailey, Christian Laettner, Mike Brown and Doug West from the Timberwolves. … Politicos attending were Attorney General Hubert Humphrey III, St. Paul Mayor-elect Norm Coleman, Bloomington Mayor Neil Peterson and Congressman Jim Ramstad, trying hard not to look starstruck.

The gathering of gawkers and paparazzi applauded politely at these invited guests, cooling their jets waiting for the real stars, who were greeted by fans with ear-splitting screams, especially when Bruce Willis and his “bluesabilly” band, the Red Devils, lept on a specially constructed stage overlooking Camp Snoopy to perform raucous covers of “Mustang Sally” and “Hey Junior, Behave Yourself.”

‘King King’ released on 180 gram limited red vinyl

Posted in red devils with tags , , , on February 18, 2012 by J.J.

“King King” is getting the deluxe packaging treatment for its 20th anniversary after all, thanks to Dutch boutique label Music On Vinyl.

This marks the first time The Red Devils’ “King King” has been released on vinyl and, apparently, Music On Vinyl is giving the record the reissue treatment it deserves.

From musiconvinyl.com:

Their only full length album, ‘King King’ is seen as a true Blues classic and Music On Vinyl is honoured to release this album on vinyl for the very first time.

To celebrate its 20th anniversary, we decided to do something special: the first 1,000 copies of this double gatefold sleeve album are on bright red vinyl!

• 180 grams audiophile vinyl
• Twentieth anniversary, original released in 1992
• First time on vinyl !
• Gatefold sleeve
• Includes an insert
• First 1000 numbered copies on red vinyl

The official release date is Feb. 20, but the album is apparently available in some independent record stores in Holland.

Over at The Red Devils Facebook group, Patrick Struijker Boudier has already received his copy, posting a picture of the sleeve and the LP (the label noting that the record was licensed from This Way Up). His review, on the Music On Vinyl Facebook page: “Awesome release! Clearly there has been put a lot of thought in this release! Love the job you’ve done guys!”

Music On Vinyl also posted a pic of the limited edition red vinyl at the pressing plant.

Unfortunately, it appears Music on Vinyl does not sell individual orders, but rather distributes to record stores only.

The album does appear to be available for order at www.kroese-online.nl.

And, of course, the album is seeing a reissue on CD as well — also as an import-only.

Here are some other notes on the vinyl version:
Read more »

‘King King’ reissue coming Tuesday

Posted in red devils with tags , on January 29, 2012 by J.J.

According to several websites, “King King” is set for reissue this Tuesday, Jan. 31, by Universal Import.

For instance, the U.S. amazon.com website lists “King King” as an import at $29.50, with a Tuesday release date.

We’ve not been able to find any information about this release. From our vantage point, it looks like a straight reissue, but we’ll know more when we get our hands on the disc in a couple of days.

Without facts in the way, let’s speculate a little:

  • Not surprising to see a reissue this year, the 20th anniversary of the “King King” record.
  • Unfortunately, that likely means there is no true anniversary reissue coming later in the year. We wish this was a dry run for a bigger product release, but we can’t imagine a company spending so much time and so many resources on putting out “King King” twice.
  • There is no indication of any bonus tracks — but there is really no useful product description at all.

Maybe its just wishful thinking, but we’ve heard “Automatic” on Bluesville on Sirius XM two times last week. Seems odd to play a 20-year-old one-off disc like that — unless the station has a fresh promo copy.

We’ll all find out on Tuesday.

Red Devils Moulin ’93 review from Block

Posted in red devils with tags , , , , , on December 3, 2011 by J.J.

Dutch blues magazine Block was an early supporter of The Red Devils, continuing through the 13 years as well.

This review of the the 1993 Moulin Blues Festival comes courtesy of Feelgood. We’ve done our best to do a translation of The Red Devils’ mention — if you have a better translation, put it in the comments.

Also included: A Block ad for the festival.

Finally — I think — the only other act with a magnetic force field of over 100 km: the Red Devils (because: Mick Jagger!) with their busy and fat-accentuated party hardy clichéd blues. No trace of white and yet not heavy. The band consisted of five top strengths, though star parts were played by drummer Bill Bateman (Blasters) and never-stagnant singer/harper Lester Butler, one of the few to handle Muddy’s “Louisiana Blues.” Butler spontaneously fulfilled a request for one of the slow songs to a fan who was killed earlier that week, though hopefully no one outside of those involved had been in the painful mistake still in his ready-made text. No, of course there is a festival for people like us to get back to. And we were.

One-of-a-kind notebook gives peek into Red Devils, Butler’s creative process

Posted in red devils with tags , , , , on November 15, 2011 by J.J.

A notebook belonging to Lester Butler gives a rare little glimpse into The Red Devils’ lyrics, setlists and creative process.

Among the doodles, dates, phone numbers, notes and cigarette burns are lyrics for “Shake ‘Em on Down” and a nascent “Your Turn to Cry.”

The writings are in the hands of Paul Brown of the UK. Brown says he was in the crowd at the Devils’ May 4, 1993, gig at London’s Borderline. Afterward, he picked up the setlist left behind on the stage. The setlist turned out to be more than that.

“When I picked up the ‘setlist’ … it wasn’t until I returned home that I realised there were entries in over 20 pages, very much in the style of the notebook in the CD insert,” Brown wrote to us. “There are setlists, lyrics and doodles.”

Jonny Ray Bartel essentially confirmed the authenticity of the one-of-a-kind notebook in a Facebook post: “Nice collection Paul. Looks like you have an entire notebook of Lester’s. Awesome …”.

Let’s look into the pages Paul emailed to us:
Read more »

The death of Def, 1993

Posted in red devils with tags , , , on November 9, 2011 by J.J.

A couple of articles in the Los Angeles Times give a little detail of the “Ciao Def” party Aug. 27, 1993, which featured The Red Devils as entertainment at the “funeral.” And with the funeral, Rubin’s Def American became American Recordings . (“King King” was issued as Def American 9 26795-2 and American 65660.) [EDIT: Updated 12/4/11 with mention from Sept. 1, 1993 Long Beach Press-Telegram]

DEF’S EXCELLENT ADVENTURE DIES
By Bill Higgins, Los Angeles Times
Aug. 30, 1993

The Scene: “The Death of Def,” Friday’s publicity stunt/funeral service for the first word in Def American Recordings’ name. The company will now be known as American Recordings.

The “ceremony of honored entombment” was held at Hollywood Memorial Park’s Chapel of the Psalms. The after-party was at Shatto 39 Lanes bowling alley. In a rock ‘n’ roll way, it made complete sense: First you go to a funeral, then you go bowling.

The Cause of Death: Def began its brief life as rap-culture street slang. The deceased adjective once meant “excellent.” But, in an all-too-common story, the word started hanging around with the wrong element-suburban kids and record company executives. This led to inclusion in Webster’s dictionary. Nothing kills a hip word like mainstream respectability.

New York’s Rev. Al Sharpton, who gave the eulogy, said def meant, “more than excellent. Like, defiantly excellent with a bang. Now the bang is out of def. It lost its exclusivity to the in, defiant crowd. It died of terminal acceptance.”

An invite to the "Ciao Def" party, from nofightin.com reader Rackauskas

The Buzz: It’s not like Elvis. Def is dead. Surviving relatives include fresh, fly and dope.

The Last Rites: In an open casket were relics from friends of the deceased: hats, press releases, albums and harmonicas. Alongside were floral tributes. Beret-wearing Black Panthers stood guard with prop shotguns and AK-47s. After Sharpton’s eulogy, in a rare funeral appearance, the Amazing Kreskin did his mind-reading routine using Tom Petty and Rosanna Arquette. He also sent four mourners into spontaneous hypnotic trances.

Overheard: “Are you guys cremating or burying?” asked a male guest. That question was soon answered. Mourners followed a 19th Century-style horse-drawn hearse and a six-piece brass band playing “Amazing Grace” past the mausoleum that holds Rudolph Valentino’s remains to a freshly dug grave with a simple black granite slab inscribed DEF.

Who Was There: About 500 mourners at the cemetery, plus 2,000 more at the bowling alley. Guests at the chapel were older, the ones at Shatto Lanes more the Tattoo Generation. They included Petty, Arquette, Bushwick Bill, the Red Hot Chili Peppers’ Flea, Sir Mix-A-Lot, Swell’s Monte Vallier, Warner Bros. Records chairman (and pallbearer) Mo Ostin, Mike Bone and Depeche Mode’s David Gahan.

The After-Party: Let’s just say the mourners bury better than they bowl.

Dress Mode: Was there ever a record-company party where black was more appropriate? For women, a typical outfit was an all-black combo of veil, miniskirt, lace stockings and cowboy boots. American Recordings’ bereaved founder, Rick Rubin, wore a floor-length black cassock, Ray-Ban sunglasses, a white Sikh turban, strands of red Hindu rudraksha beads and left a thick wake of incense aroma as he entered the chapel.

Most Persistent Afterthought: What kind of people are running this cemetery that they let rock ‘n’ rollers run loose in it?

And then, from Sept. 5, 1993:

ROCK ‘N’ BOWL WILL NEVER DIE: The L.A. rock community is collectively nursing bowlers’ elbows after two major bowling parties last weekend. First, there was Rick Rubin’s combination wake for the term Def and birth of the new name for his company, American Recordings. With the mob scene at the Shatto 39 lanes-including Rosanna Arquette, the band Raging Slab and even Heidi Fleiss (at least those were the rampant rumors)-the actual sport quickly degenerated into inebriated stunt bowling, with people sending two or three balls down lanes at a time as the label’s Red Devils played rockin’ blues numbers.

Finally, from the Sept. 1, 1993, Long Beach Press-Telegram:

Besides (Heidi) Fleiss, the party, which was held in L.A.’s Shatto 39 Lanes bowling alley, featured appearances by American Recordings founder Rick Rubin, Tom Petty, Rosanna Arquette, Warner Bros. Records chairman Mo Ostin and R.E.M. and Nirvana producer Scott Litt, and about 2,000 other people, which, as it turns out, is a lot of people for a bowling alley. Entertainment was provided by the blues demons, the Red Devils and the ’70s-style rockers Raging Slab, who instantly entered the What’s Hot! Hall of Fame with a version of Mountain’s “Mississippi Queen.”

Blue Shadows gigs 1989-90

Posted in red devils with tags , , , , on October 2, 2011 by J.J.

We are catching up with several Blue Shadows dates for the timeline section. We start with several great clippings from the Eddie Clark collection, snapshots of the late-’80s/early-’90s California blues scene. Included are an ad for the first blues hall of fame festival and a postcard for blues night at Spice, both organized by Randy Chortkoff; along with two ads from Southland Blues Magazine.

It’s quite interesting to see, during 1989 and 1990, when the Blue Shadows were promoted as featuring Dave Alvin versus as featuring Lester Butler.

Read more »

“Better Cut That Out” lyrics

Posted in red devils with tags , , , , on September 5, 2011 by J.J.

While the closer “Better Cut That Out” is a favorite on the “King King” record, one question remains: Just what is Lester Butler singing?

This song is a little rough — Butler sings the second verse twice — and even the album credits are confusing. On the first Def American pressings, the song is called “Cut That Out” and attributed to Junior Wells, whose version obviously inspired the Devils. Subsequent American Recordings versions call it “Better Cut That Out,” with credit going to Sonny Boy Williamson (likely No. 1, John Lee Williamson), which is a much more accurate designation.

The lyric that causes the most trouble is the second line in the first verse. Butler sings the cuplet,

Yeah when you get drunk you wanna fuss and cut
Sure to get drunk you know a rock and roll hearse

Read more »

USA Today: “King King” raw, rootsy blues

Posted in red devils with tags , , , on September 3, 2011 by J.J.

A glowing “King King” review from USA Today’s Oct. 28, 1992, edition. Is this one of the earlier, mainstream notices of that album?

RED DEVILS LIVE ALBUM BLASTS RAW, ROOTSY BLUES
by Edna Gundersen
USA Today

"King King"

Hellbent for blues, the red-hot Red Devils have cranked out the year’s most electrifying live album, a stunning debut. Even a band this sharp and spirited will be hard-pressed to top it. The raw and rootsy “King King” (***1/2), produced by sonic sharpshooter Rick Rubin, was recorded at L.A.’s King King club, where the Devils served as house band for six years. Whether blasting their own “Goin’ to the Church” or breathing new fire into Sonny Boy Williamson’s loping “Cross Your Heart,” the band outshines any contemporaries with its lean, high-powered and nasty approach to Chicago blues. Catch their opening act on Los Lobos’ current tour (tonight, at the Varsity in Baton Rouge, La.)

1992: Sympathy for the Devils/Mike Flanigin debuts

Posted in red devils with tags , , , , on August 7, 2011 by J.J.

Here are two important stories in Red Devils lore, both by Michael Corcoran from the Dallas Morning News. The first is the cleverly titled “Sympathy for the Devils” (Sept. 17 1992), with a strong Lester Butler interview. It gets deeper into the band’s history — and Butler’s drug use — than most by-the-numbers articles of the time.

It’s followed by “Red Devils have guitarist by the sleeve” (Sept. 19, 1992), and recaps how Texan Mike Flanigin ended up as the rhythm guitarist in the band for a short spell, replacing Dave Lee Bartel beginning with a show at Trees in Dallas. (Edited Aug. 13 to correct spelling of “Flanigin,” wrong in the original article.)

Sympathy for the Devils: The unlikely-looking Red Devils play some really wicked blues
By Michael Corcoran, Dallas Morning News
Sept. 17, 1992

The blues live on Monday, that bluest of blue-collar days. On Monday, you’re not talking with much enthusiasm and others aren’t really into listening, so you always have to repeat your first sentence twice. “I said, ‘They call it stormy Monday, but Tuesday’s just as bad.’”

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